
Artwork
Grey Field Painting
A muted field painting that holds light through abrasion and thin layering.
Field Notes / Acrylic wash, pigment, and sanding on paper mounted to board.
Available
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Sketches, paintings, and visual experiments.
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Artwork
A muted field painting that holds light through abrasion and thin layering.
Field Notes / Acrylic wash, pigment, and sanding on paper mounted to board.
Available

Artwork
A line study of a room assembled through nearly invisible construction marks.
Room Notes / Pencil, trace transfer, and white pencil on toned paper.
Available

Artwork
A thin red field where image and erasure remain visible together.
Red Compression Studies / Red wash, coloured pencil, and chalk on paper.
Reserved

Artwork
A page-based study of repeated black marks held in a grid.
Index Studies / Ink, toner transfer, and pencil on paper.
Available

Artwork
A folded paper study where the edge becomes part of the mark system.
Margin Compression Studies / Folded paper, graphite, and white chalk.
Available

Artwork
A powdery colour field with a compressed figure-ground edge.
Dust Plates / Pigment wash, pastel dust, and pencil on paper.
Reserved

Artwork
A pale graphite field organised through repeated diagonal pressure.
Quiet Surface / Graphite, chalk dust, and dry pastel on paper.
Available

Artwork
A study in edge fade, repeated marks, and cool compression.
Margin Compression Studies / Blue pencil, graphite dust, gouache wash, and tracing paper transfer.
Available

Artwork
An artwork note around pigment, layering, and motion.
Red Compression Studies / Oil stick, pigment wash, and pencil on paper.
Reserved